The Autumnal equinox is just around the corner for us in the Southern Hemisphere. It is the mid harvest festival on the Pagan seasonal wheel and this year for me, it is about Foundations. For I am starting a new … Continue reading
Its Lughnasadh here in New Zealand, the year is slowing turning from high summer to the beginnings of the autumnal season, and its raining. The rain is a good thing as it has been a hot and dry summer, one of those summers where fires have been caused by idiots throwing their cigarette buts out the car window as they drive by, which while Lughnasadh is a ‘fire’ festival cigarette but fires are not really what it is about, but I digress..
This year once again I am on the hunt for a new job as my fixed term contracted job has come to an end. At the same time I am looking at expanding my business Urban Witchery, and launch my new label Hang It All NZ, which if all going to plan, will be in six months. So this means that while I am hunting for new work I will also be building my stock up, (read as doing a ton of designing and sewing) so that I have a bunch of Wall Hangings ready to sell and a Bunch of New Zealand Themed Tapestries for Hang It All NZ as I am hoping to have an exhibition in the middle of the year, as a part of launching that lable. I might even get a few more blog posts written and posted about the place. Things are indeed very busy, not to dissimilar to harvesting, so aptly right for the season.
My Lughnasadh rituals this year involved physically cleaning and organising my fabric and studio (also my lounge) and cleansing my house. As this was being done I was also setting the energy for the next few months, not sowing seeds as such, but more clearing away the chaff and removing a few of the overgrown weeds, so that I can use the last of the summer energy to bring bounty and blessiings into my house and home. As I sorted out my various Wall Hanging designs, I made plans for the coming months. As I tidied and folded my fabrics, I re-organised my days so that I could achieve balance, between looking for work, creating works of art from fabric and a little bit of time off. As I removed the unusable fabric scraps, and rubbish from the corners, I also girdled my loins, as job hunting is difficult in these times and I know that it is easy to lose heart. As I burnt frankincense I set the intention of what type of job I was looking for, and the life I intended to make, and finally as I vacuumed, I sent this collected energy and intent out to the places that it needed to be. And you thought I was a Hedgewitch.. *winks*
And lastly I enjoyed the company of some old friends, where Mead, Tea and the most excellent Peanut butter cookies was had.
I am tentatively looking forward to the coming months to see how it all unfolds. I have set some strong foundations, made some excellent plans, and sorted out the dreck from the corners of my house, so that the energy and magic continues to move and flow in the direction that I wish, rather than growing weedy or stagnant. I have blessed, planned, sorted and created intent. And sent that intent out to where it will help bring in the Autumn Harvest, so to speak.
So how did you spend your Lughnasadh or Brigid (Imbolc) for those of you in the northern hemisphere?
One of the things that I have added to my practice over the last several years is to give offerings to the spirits, the Ancestors, and the Gods who inhabit my world and who I work with .Before I left for Kaleidoscope gathering in Canada this year, I ‘put my working altar to bed’. I tidied and dusted it, put the skulls away and requested that the spirits rest but be watchful while I was away and in turn promised to bring them back gifts if they would do so. I did not want my house sitter to feel uncomfortable while she was staying but I also wanted my house to be protected. Apparently I was so successful at this that my cat, who it could be said, is also a spirit, also spend the entire month in the hall cupboard and only came out when my lovely house sitter was asleep or out of the house.. but I digress
Offerings to spirits, ancestors and gods is not a common practice in New Zealand, and to be honest the first time I came across it in any real form was when I first travelled to Kaleidoscope Gathering, in Canada, in 2011. At the opening ritual I watched MA and Auz poor mead, honey, milk and offer an apple onto the pile of stones as offerings to the spirits, ancestors and gods. I was overcome, not just by the weird direction of the casting but also by a strong feeling of rightness. This was a way to honour and in essences feed those spirits, gods and ancestors who have been invoked. This was also a way to create a relationship with the spirits and god that you work with. It was about reciprocity, and interacting with the Gods and spirits in a very physical way.
It was one of those moments where a thing happens, and you know that you must pay attention because there is something here but that something is not realised until later. That realisation did not happen until I was back in New Zealand attending a local Sabbat ritual. The directional spirits had been invited and had candles lit, the Ancestors had been honoured vocally, and the Gods had been invoked, but nothing had been given in return. No mead, no milk, no honey or wine had been poured onto the ground or left in offering to the land, or the spirits, or the gods or ancestors. And this felt wrong. It felt like something had been left out.
I know that giving offerings to the spirits was something that I felt compelled to do after attending Kaleidoscope Gathering. The action itself creates a more conscious relationship between me and the spirits that I work with. It creates a relationship of give and take, respect and acknowledgement and it deepens the connection I have with the land that I live in and ultimately deepens my spirituality and path.
As we are Witches, Druids, Wiccans and Pagans it would follow that we believe in something bigger than ourselves that is in essences sentient. Therefore it would be important to create a relationship with these beings, we are after all magical workers, and like I read somewhere, would you ask a stranger to hold you bag while you used a public restroom, or would you ask a friend? So it would follow that you will get better results in your magic work if you have a relationship with the spirits and gods that you work with. And to help create this relationship why not give offerings in thanks?
If you invite one or many spirits, or ancestors or gods to attend you during your ceremony, rite and or ritual that you would in turn honour them, give them thanks by giving them something in kind, to create a reciprocity, one kind act following with a returning kind act, Right? And that honouring can come in the form of something physical, such as mead, and not a drip of mead, but a good helping, maybe even a bottle because these are sacred beings after all right?
So, I have asked myself, how much is ok to offer to the spirits, or ancestors and Gods, do the amounts vary, what do we offer them, can we then share or eat what has been offered or is that now allowed. Does it always have an alcohol component, because from what I have observed alcohol is one of the most common things used in offering. So many questions and in and of itself a seemly simple idea can be quite complex.
At KG this year while Grey a fellow hedgewitch and I were wondering down the path towards the spiral to have a talk with the Horned Lord, the subject of offerings was discussed amongst the other things we were talking about. I was at the time wondering to myself What do you offer if you don’t really drink, as the traditional offerings at KG have been wine mead and beer, something alcoholic in nature, because actually neither of us where huge drinkers. As I was thinking this, Grey commented that she buys alcohol, not so much so consume but instead to offer to the spirits and gods that she works with. A mind reader that Grey. But it dosn’t have to be alcohol , with a bit of forethought and research, what is appropriate, and how much would be pretty easy to discern. For me it depends on what type of relationship I want to create, and what I am honouring the spirits and gods for.
It was also during this year’s Kaleidoscope Gathering that I came to the conclusion that offerings are in many cases a form of sacrifice. Offerings are something that is not causal, not the worst, but something that is the best, or something that you have specifically chosen to offer, or in this case made room for in your budget to buy the required item, in essence a form of sacrifice.
To my mind an offering should be a conscious effort rather than just a passing thought, or something that has no value, as such. Neither should an offering be something that is unachievable, nor something that goes against who you are. But it should be a something that is worthy of who you are offering it to. For instance at the Horned Lord Ritual, the participants gave the best wine, Mead that they had made, wonderful flowers and pounamu that had been carried from the other side of the world. These gifts where mighty and given with intention to honour The Horned Lord, as he is the Witches God and it was a witches ritual
For me since getting back from KG I have made a conscious effort to make sure that my house spirits are given offerings, of fresh water and the occasional Cider. The cider offering usually happens on a Saturday night when I get fish and chips from the local fish and ship shop, and then I stop and buy a bottle of cider, which I in turn share with my house spirits. I fill the earthen wear goblet that I found for them and the rest I drink. I has become a bit of a family affair as I now have a saucer that lives under the couch, that I use to give my cat little bits of fish with, as she is one of those odd cats who will only eat food that is in her bow, or in this case saucer. In a sense, I am also honouring with the bits of fish I give her as she is a bit of a house spirit to, as it turns out
So do you give offerings to the spirits and gods you work with? And if so what do you give?
Seasonal celebration themes are such a strong focus within the magical and pagans worldview that it can be difficult to see beyond them. I don’t mean to ignore the seasons instead what I am asking is, what is beyond the celebration seasonal cycle? The Seasons are an excellent place to start when you first begin your magical study but having started there it is important to remember that they are not the bee all and end of magical practice.
This year I have found it very odd that it is currently spring here in New Zealand, I am in a bit of a confused state. This I believe, is because I spend a month in Canada at the end of July and beginning of August. While I was in Canada I felt that moment when the season turned from summer to autumn and so I have been a bit discombobulated so to speak. This in turn has caused me to wonder when it comes to magic and magical work, what is beyond the seasons? How do we deepen out understanding of this magic that we work with? I don’t believe that it is possible to work without the seasons because we do live in this world, in this place. But what is beyond the general understanding of the seasons
Having live my life in New Zealand and the last 15 years in Wellington I believe I understand quite deeply how the seasons interact and move with this landscape that l live in. I have also explored and understood the societal seasons, which are similar but also not the same. For example tax year ending and starting, the election cycle, and various other stimuli that will affect the spirit of a city such as Wellington. There is also the obvious combinations such as the build-up to Christmas, which is for us, during the summer, followed by easter which is during our autumn. And our winter which I have taken to calling the long dark, not so much because there is less daylight but more so because during the hard winter months there is no public holidays to look forward to. From the beginning of June until the end of October there are no public holidays.. Near enough to 5 months of the winter season, our coldest darkest time, with nothing in the way of public holidays or celebrations to look forward to.
And I have spend much time playing with and in a sense coming to peace with the northern hemisphere seasonal holidays that have been imported wholesale to New Zealand without seasonal considerations. Oddly enough, they work or can work for the plucky observant witch or magical worker. For instance, it is Beltane here in New Zealand, that time between spring and summer. And over the years Halloween has been introduced from North American along with a fair amount of expat Americans and Canadians, who like to celebrate that touch of home. Halloween as I have learnt is the beginning of what is called in Northern America the holiday season. Samhain and Beltane are at both ends of the spectrum of life for me, and I have found that the veil that everyone talks about, is thin during both seasons. But for Beltane it is about bringing things forward, or birthing from the spirit world, where as Samhain is about Ancestors who essentially inhabit the spirit world. or that is how I have felt and worked with it without going into more explanation because really it is difficult to explain. And Halloween, that is about dressing up in costumes, having fun and learning to face that which scares you.
Beyond the seasonal correspondences, themes and thoughts is a tide of magical underpinning that can be very subtle, and very difficult to put into words. But for me it is about movement, and moving, the ebb and flow, or if you like growth and deepening of your understanding and connections with the world of spirit, and divine. And the harder it is, this understanding of the magical beyond the season, the harder can be to put into words, so instead I create art.
I create doorways in the forms of fabric wall hangings that depict magical things, such as Gods and Goddesses, from which you can invite that magical underpinning and magic through, which can then fit your own framework and understanding of how the magic works.
It is said that if you open the doorway, the invited come through and if you don’t then the wall hangings will remain inert but also sacred art. It makes sense that the ones who have gods and goddesses sewn into them will invite those gods and goddesses. I should not have to say be careful here right?
So how do you reach beyond the seasons and into the tides and magic in the spirit worlds?
When I turned 40 I was told that 40 is the new 30. But you know what, I don’t want to be 30 again, I am happy to be 43 and this idea that ageing, getting older is somehow wrong when everyone gets older, is actually shit. With age, with getting older comes life experience and for some of us wisdom, wisdom that I was missing during my 30s. So yes I am happy to be turning 44 this year. However I while I am not a mother I am not yet a Crone.
I am a spinster, a Matron, and a Matron Spinster, a Matriarch, as well as a priestess and Witch. But there is no Matriarch in the iconic triple goddess of Modern Paganism. Maiden, Mother and Crone are shown as sacred, as the holy tritiy if you will, but I find myself asking: what about that period that falls between that of Mother and Crone? I am not old enough to be a crone and I am too old to be a mother, as such. And while I didn’t have any children of my own I certainly spend time looking after and indeed mothering people around me. Even though it has taken me a while to admit that it is in my nature to take care of people around me. But I digress.. a little. I am not old enough nor wise enough to take on the mantle of Crone, there for I am Matriarch, Matron and Spinster, right?
Now let me explain, because sometimes the words matriarch, and spinster are words that have some hot button issues surrounding them.
Photo by Kylee Bowater
Matriarch as I see and for the purpose of this blog post is that age that falls between mother and crone. This understanding came about for me via several books. * Matriarch is for those who have had their children and these children are now adult or nearing adulthood, and are more independent.
Spinsters as I am claiming it is for those of us who have never had children, whether we choose not to have them, couldn’t have them or like me, never had them, and are older than expected childbearing age, if that makes sense.
This Matriarch/Spinster age, as I understand it, is that time when we become more assured of who we are and how to get what we want out of life. We have now enough life experience to gain mastery. We understand the good and the bad, dark and light, right and wrong, and realise that both has value, both will teach us important things, both are need to be in balance in order to live a full life, so to speak. I was talking with a friend and fellow Witch not so long ago about that time of Matriarch, mastery and mid life crises, and that perhaps a midlife crises arises when mastery is not realised or understood? And upon thinking about this I am beginning to get a sense that Matriarch and Mastery are quite connected in that sense. It is as though in a magical life if you do not reach some sort of Mastery then the time of Matriarch is not realised? And your crone time will become quite different. Who knows, but time will tell, eh.
I am now a confirmed and happy Spinster but not just Spinster but also Matriarch, and to some degree Matron. I am also being to understand my own mastery, not just in the things that I can do but also in how I live my life, and how to work through what life throws at me, if you will. I am not sure what this next period in my life will bring with it, but I do know that for the most part what it does throw at me I have already experienced in one way or another. I will be able to work through my life’s trials and joys with the silks I already have and at the same time learn new ones and with that, my wisdom will grow. I will continue to grow and learn and gain new understanding and insights because that for me is the roll of the Matriarch and Spinster.
Photo by Tawny Alma
* The Womens Wheel of life by Elizabeth Davis and Carol Lenard
The Common Sense Spell Book
By Debbie Dawson
140 Pages, Avalible in Paper and Ebook
This book was written by a fellow Kiwi Witch, who lives in Christchurch, in the South Island of New Zealand, you know the place there was a couple few large earthquakes a couple few years back. Anways, I have never meet Debbie in person for any length of time, I think we ran into one another at a festival maybe, but we have however spoken online and argued on line to, as to you.
Now the reason I mention that Debbie is a Kiwi Witch is because the book is very distinctly Kiwi Witchcraft in character and Kiwi Witchcraft in understanding of magic in general, and this was quite a surprise for me, because I had no idea that it was a thing, well I did, I am one after all, but I had not had it pointed out in such a way. You know how when you are in the thick of it you often can’t see, a bit like how we can’t hear our accent. So there is such a thing as Kiwi Witchcraft, and Paganism, and I suspect there will be a post on that at some stage. But for today this is a review of Debbie, a Kiwi Witch’s book.
Kiwis for the most part are very practical people, and it would follow that Kiwi Witches are also this way, on the whole. And I can say that this book is very strongly Kiwi because the beliefs practices and understanding of how spells and magic works is very close to my beliefs and understandings. But then given we are both of a similar age and both had access to the same source material, that was available in New Zealand, it is not that surprising.
Debbie writes in a very practical way with some no nonsense practical advice. The book I believe is aimed at a person who has already read several introductory books and has a handle on seasons and what they mean and are now interested in some spell work to further their understanding. Or for someone who has already had an unsuccessful bash at spell casting and is left wondering where it all went wrong, or why it didn’t work at all.
This book will help you to understand the sometimes complexities and other time simpleness of spells along with how, why and why not something worked or didn’t work, as well as some excellent penny dropping moments.
For those who are experienced in spell work, I would say that you probably know more of what this book contains, however as a reference book, to go over as you decided on what type of spell work will be suitable, or indeed if you really need to be doing spell work, this book would be an excellent resource.
If you are looking for a book full of spells, and or exotic kiwi spells then move along because this book is more about creating your own rather than following somebody else’s recipe.
My only disagreement with this book, and it’s not really a disagreement but more something that I would of emphasised more if I had written a book like this, I would of emphasised not to manifest in negatives. I’m not talking about cursing, Debbie does a excellent job of covering that but more about how you phrase things. Often words like don’t, won’t have or will not, actually draw what it is that you don’t want towards you, because you are naming it. Once when I was teaching about shielding, I forgot to emphasis this well enough, and my students ended up with nightmares. When I inquired they had all been using negative type phrasing, eg I will not have nightmares tonight, or similar, which in turn brought on the nightmares, as they had named them, which in turn draws that which you name towards to, or so the story goes.
Overall this book is something I would have devoured 20 years ago when I was first starting out, especially as I began looking for something that would take me that step further down the magical track. I did enjoy reading it, and did get useful information and food for thought. It reminded me of how much of a Kiwi Witch I really am, and has me thinking about what it is about Kiwi Witchcraft that makes it, Kiwi Witchcraft. It will also be a interesting insight for those who are interested into the Kiwi Witches mind, so to speak. . It will be a book that I will use as a resource when I am considering any spell work as it has all the types and styles and why-fors, and it is often good to delve into a book like this when considering any kind of spell work, helps to get the creativeness of spell work going. It is also going to be a book that I recommended to fellow Kiwi Pagans who are looking to take that step further. There are not very many books written by Kiwi Pagans, and this I believe is the first written by a Kiwi Witch, and it’s a good one.. yay!
So I give this book, 4 cups of tea out of 5 and a healthy doses of practical Kiwiana.
So I had a half written post about using magic, specifically a magic spell to find a home, using a combination of Kiwiana, and perhaps other more ‘traditional’ magical stuff, but I stalled and have only written about one object, the 21st Key Mirror, a Kiwiana staple for 21st gifts, generally given to you by your family. It has strong significance of love, family and independence, which is for most of us, what we are looking for when finding a new home, rather than just a place to live. I was also going to include things like tiki’s, and teapots, but in actually that was nothing like what I actually did.
What I did looked nothing like the spells in books or described in blogs, I did not wait for the waning/waxing dark moon, or other significant timing, I did not purchase a Mirror Key or make one myself, in fact I didn’t really use any of the Kiwiana objects that I had been contemplating. I also didn’t set up an altar, with the correct red blue orange candles, and matching altar cloths, even though I do love my altars, and have quite the collection of wonderful altar cloths, I didn’t’t call on any specific deities who help with such things… What I ended up doing looked nothing like ‘magic’ spell work, that you read about so often in those instructional spell books, actually what I did I have never really found in any book or blogs. What I did looked like me walking into town one morning.
I took the day of work for my birthday this year, I haven’t had much time off, over the last year, so I decided to take two days of for my birthday, Thursday and Friday whoot. So when I woke up that morning, I didn’t actually know that I was going to be working and act of magic for finding a house, but for me this is generally how it happens. When I need something or if something needs doing, I just do it, I don’t wait for the right time or day or moon cycle. Instead I get an urge, message, prod, err a thing, which is actually difficult to describe, not just because it is often different, while also the same, or how else would I know, but because this is always difficult to put into words, as it is not until after I have acted that I generally understand what I did and how it all worked. Anyway when this thing *waves hands* happens I know that it is time to work, and so, I do. On my birthday morning I didn’t know that I would be doing this working, I had not even told my flatmates that I would be moving out soon, at that stage.. I think by the end of the day I did, tell my flatmates that I was planning on moving out.
After several cups of tea, morning showers, and a present of a Firefly DVD I was of out the house and walking down the path into town. I have walked to work or caught train and or buses for most of my working life, and use this time to contemplate things. For me this commute is like between times, between my time and work time, and I am either going to or coming home from, so it is transitory in nature to. I am often in a daze, or if you like trance like state, as I contemplate my morning, or think about things I have been reading about, dreams I have had, or I talk with the spirits and ancestors of place. It is as I have come to realise, a party of my daily practice. On that day I was actually thinking about how to write a blog post on how to find a house using kiwiana as spell components, but it was all seeming a bit flat, somewhat contrived, sure I could use a mirrored key but would that actually work for me? Then I happen to look down and on the path in front of me was a small nest that had fallen out of the above tree during the spring wind storm we had been having the previous few days. Spring for us here in Wellington, New Zealand is often rainy and strong winds as the Winter Southerly and the Warm Spring Northerly vie for airspace, the weather is very changeable and often wet and windy. I then picked up the little nest and gently tipped out the little bit of bird poop, and carried on down the path. This had triggered me into a light trance so as I was taking the next few steps I became a lot more aware of my surroundings. That urge, message, prod, that thing that has no words but translates into ‘time to do work’ had happened, and while now looking back and trying to describe it, I can see when that happened, when it was happening, I probably would not of been able to tell you. But I do know that from experience if someone disturbs me during this time I am often dazed, and it can take some time to figure out what happened?
After a few steps further down the hill and at the beginning of the stairs, of one of the oldest pathways here in Wellington, I spotted a rusty twist of 8 gauge wire, (No 8 fencing wire) which I also picked up, and no sooner had I done that then I spied a rusty nail, both of which I placed in the same hand that I was carrying the nest, not in the nest but more under it. As I neared the bottom of the first set of stairs, I glanced down and found a plated length of synthetic hair, someone’s hair extension had fallen out while they walked up or down the path. I picked that up and looked at it in my hands for a while, then carefully, the thoughtfully, placed it around my fingers in of the hand where I carried all the other objects.
I now had a handful of randomly found objects that were becoming more magical the more I focused on them with intent. The intent of finding a home, a place where I felt safe and at home. Each found object now that I think about it has significance of its own, they all have meaning, a nest that feels safe that is protected by iron, a place where I feel at home and can let my metaphorical hair down, you get the picture right? These objects where not planned, but because I was aware of my surroundings I could recognise the objects that would be needed.
However I didn’t want to take these objects to the place I was moving out of, as that would set the intention wrong, plus I was on my way to purchase a new sewing machine, so I ended up popping in at the place where I work, with a handful of strange objects, and placing them in a box, much to the amusement of my work colleges. As the weeks passed I added to this box of strange objects. I found the shell of a blue egg, that was no longer in use and added it, I also kept the kettle my mother gave me for my birthday for my new home, and the pink salt lamp, that I had brought with my new home I mind, and occasionally when I was staying late at work I would take the nest out of the box and sit it next to the lamp.
And then when the time was right, after one false start, I went and looked at a place, and it is home.
Sewing as a Sacred Act.
by Polly Lind 2013
Up in my tower that has views down the valley, with pins, needles, and thread,
I weave magic in to the fabric that I lay out on my ironing board.
Creating sacred designs, with Gods, Ancestors, Snakes, Toads, and Hares,
And Piwakawaka whispering in my ear, laying my soul bear.
With fabric, sharp shears, iron, bamboo and interfacing,
I create doorways where spirits, magic and the divine, when invited, come through.
With pins, charms and wool stuffing, I create pillows that induce sacred dreaming,
and witches ladders to keep the not wanted at bay.
With incense, sewing machines, cotton and thread, I dance with the fabric of the divine,
and I will until I am dead
My sewing a sacred act, of offerings and service,
I will my surrender to the whirling of the bobbin, touching the magic,
imbuing the divine,and emboldening the spirit.
Up in my tower with views down the valley, I offer my sewing as a sacred act.
New Zealand is not really old enough to have magical folklore as such, we were settled about 150 years ago, wait let me rephrase that, Europeans did not really settle in any great numbers here until about 150 years ago, around the late 1800’s and early 1900s with larges amounts of immigration happening after World War I and World War II, well after, it can be said, the time when magic was something other than fairy tales that you told children.
This means that Magical Folk Lore, from far of places like Europe, didn’t really make it here, and if they did it didn’t really stick. New Zealand was a pretty harsh and isolated place to live for those early settlers.
The Maori have been here a bit longer, with their estimated time of arrival being somewhere in the middle of the 13th Century (1250 – 1300). This is a very difficult thing to pinpoint as much of the housing, clothing, weapons and things require for living were made from very natural materials, and thus did not last the test of time so that they could be dug up by intrepid anthropologist and carbon dated to give an accurate reading. There are a few objects, which can be found in our museums, but for the most part there was not very much, so we have I believe relied on a combination of myths, educated guesses, geology, and the few items that have been found to give us and idea about when the Maori people arrived and settled in Aotearoa, land of the long white cloud.
The Maori People who on the one hand, have been here longer, have a culture and tradition that is steeped in Magic and deeply spiritual lore, however we as Pakeha understand that this is not our culture so to speak, and do not want to be seen to be stealing said culture.
On the other hand Maori Spirituality is our nation’s civic spirituality, the guardian if you will of our public buildings, schools, libraries, and the like. The Maori culture is also something that can be difficult to completely understand and the use or nonuse of it is littered with so much conflict, politics, anger and unhappy outcomes that it can be better to just mind your manners and be respectful and thoughtful all things Maori.
I know for sure that the majority of Kiwi Pagans want to be able to honour the spirituality of this land that was here before the settlers, aka Maori deity, culture and spirituality, but also do not want to go so far as to misappropriate as that would be rude. I did a study on this back for Honours when I was at university.
Also by the time that settlers arrived here Magic had pretty much been deligated to the realm of superstitions and fairy tale.
So what this all means is that for those of us who lean towards a more ‘traditional’ style of magical witchcraft practice, there is no obvious folklore for use to use, as such, especially if we are also interested in practicing the magic of the land we physically live in.
So what is a Urban Witch to do, sure some folklore made its way over here via the various settlers and where they come from, but like I said before it was less magical folk lore and more customs and culture, because by the late 1800’s and early 1900’s people no longer believed in magic in the same way. Maori spirituality however has become New Zealand’s Civic Spirituality, it is how we open parliament, bless new public buildings, schools and public spaces. It is pretty much what we as a nation turn to when we need formal ceremonies and that in and of itself is magical.
We do have something that we call Kiwiana, which is as I see it, a precursor to Folklore, and something that is going to be the topic of my blogging here, along the practicalities of being a practicing Witch who is born and bread in New Zealand. I will also be cross posting the posts to my main blog, Another Witches Blog,
Bibliography of sorts
King, Michael – The Penguin History of New Zealand 2003 (http://www.amazon.com/The-Penguin-History-New-Zealand/dp/0143018671)
Lind, Polly (yup that’s me) The Appropriation of Maori Spirituality into Paganism in New Zealand. 2003ish also if you want a copy if could probably hunt you one down, it is not very long, it is however in the form of an academic essay.. J